June 25, 1950. When second lieutenant Jang has a date with his girl friend during weekend, numerous North Korean jet fighters make sudden air raids to the skies of Seoul. It is the beginning of Korean War. In spite of Korean Army's brave defense, North Korean army reddens South Korea with their state-of-the-art weapons. This movie describes the progress of war from the invasion in June 25, 1950 to the reclamation of territory on the basis of Sun-A's personal experience. Also this film reminds hard lessons from tragic history.

关于摄影师 William Eggleston 的纪录片

关于摄影师 William Eggleston 的纪录片

Six friends grow and learn at Bayside High.

Six friends grow and learn at Bayside High.

Five years after sending a man to jail for the murder of her father and fiancé, Diana returns home to find that he has escaped from prison and has come to confront her. However, the man has not come for revenge, but rather wants her to understand that she put an innocent man away. Captive in her own home, Diana is resistant - she knows what she witnessed the night of the murder. But as time progresses, Diana starts to question what she saw that night as well as her own testimony.

NYC custodian Daryll Deever is a big fan of local news reporter Tony Sokolow, so he is intrigued when she shows up to cover a story at his workplace. There's been a murder in the office building, and Tony suspects that Daryll may have insight into the crime, a notion that he furthers to stay close to her. However, when those behind the killing begin to think that he really knows something, they target the pair to keep their secrets hidden.

A mother and daughter set out on a weekend river rafting retreat, only to encounter 3 escaped convicts along the way.

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

Kuningasjätkä is set in North Karelia in the mid-1950s and depicts the summer of 10-year-old Topi at the boating site with his widowed father Tenho.